| News Views Features Editorial Letters to the Editor Columns The Stars Are Out The Amazon Trail Crow's Caws Women Like That Arts Community Compass Gayity | |  | Women Like That Vita and Virginia | | by Francesca Susanna These Sapphists love women, Virginia Woolf wrote in December of 1925. She had just spent a few days alone with her friend Vita Sackville-West at Vitas home, Long Barn. I liked her and being with her... They had first met three years earlier when Virginias brother-in-law, Clive Bell, invited Vita to dinner expressly to be introduced to Virginia. Virginia was already a well-known writer and had enough of a reputation for eccentricity that Vitas husband, Harold Nicolson, asked, Did she look very mad? The attraction between them was immediate, but Vita was a busy woman. She was married, had two young sons, a large house and garden to manage and any number of other love affairs in various stages of passion. Not much to my severer taste, Virginia wrote in her diary the day after Clives dinner, florid, mustached, parakeet-colored... hard, handsome, manly; inclined to a double chin. Vita was tall, dark and handsome, strong and full of vitality, dashing and exotic. Vitas entire life was colored by the loss of her childhood home, Knole. It is a huge, sprawling house built in the Middle Ages and given to Thomas Sackville by Queen Elizabeth I in 1566. The house was restored in 1603 and remains unaltered. Vita was enormously attached to the house, its grounds and garden, but according to the English laws of inheritance, only a male heir could succeed to the estate and the title that went with it. It went to a male cousin, and Vita never reconciled its loss. Vita was one who dug her hands deep into the dirt, literally and figuratively; she is almost better known for her gardens than for her books. Virginia tended to distance herself from her physical life with intellectual analysis of the world. Vita was beguiled by the enigmatic Virginia, writing, ...do you just enjoy baffling people who try to creep closer to you? They had known each other for a year and a half, and Vita was answering a letter in which Virginia had suggested that their friendship had reached the first stage of intimacy. Virginia and her husband Leonard were part of a group of artists and writers known as the Bloomsbury Group. Her sister, Vanessa Bell, became known for her decorative painting. But the Bloomsburys were doubtful of Vitas artistic integrity (her books tended to sell pretty well). After Vita and Harold dined with Virginia and her friends one day early in the friendship Virginia wrote, We judged them incurably stupid. He is bluff, but oh so obvious; she, Duncan thought, took the cure from him and had nothing free to say... It was a rocky steep evening. Vita described the Woolfs as plain living and high thinking. In 1925 Harold Nicolson was sent to Tehran by the British government on a diplomatic mission. It was Vitas imminent departure for Persia that occasioned the moment of intimacy at Long Barn and Virginias observation about Sapphists. With Virginia, the mention may or may not indicate physical intimacy. She did not have sexual relations with Leonard, and of her own sexual activities she said, My terror of real life has always kept me in a nunnery. The moment of intimacy likely was emotional and intellectual. Vitas departure for Tehran excited a passionate exchange of letters between the two women, full of longing and desire. I am reduced to a thing that wants Virginia, Vita wrote. You have broken down my defences. She returned to England for the summer of 1926 on pretext of looking after her ageing and ill mother, but the visit extended until February. Vita and Harold had what was termed even then an open marriage. They were passionately devoted to one another, their sons, and their life and gardens at Long Barn. Vita had her female (and once in a while, male) lovers, Harold had his male lovers, but they never forgot each other and deeply loved each other. Nonetheless, Harold always grew nervous and jealous whenever it looked like Vita was falling in love with someone, and it seemed to him that Vita was not really in England for her mothers sake as much as for Virginias. Vita wrote to reassure him, [my] love for Virginia is a mental thing, a spiritual thing... an intellectual thing. Perhaps what Harold disliked, or what Vita thought he disliked, was the physical relationships. Vitas affairs did tend to cause strife and scandal between her lovers and their spouses. Vita told him that she was scared to death of arousing physical feelings in [Virginia], because of the madness. Vita did admit to going to bed with her twice, and after a night spent together she recorded in her diary simply, (!). Vita and Virginia formed an intense closeness that summer, growing more and more intimate. They visited Vitas much-loved Knole together. When Vita finally returned to Persia in February of 1927, it really broke her heart to leave. The two Vs had let each other in farther than anyone else had been admitted before. They both found in one another the darkest and most secret part, and the closeness that they achieved reached a plateau when Vita went back to Tehran. The Nicholsons returned to England for good in May of 1927. Virginia had begun to plan out her novel, Orlando, a symbolic biography of Vita. By now Vita began to find Virginias continual ill-health frustrating. Vita did not relish or approve of chastity. And Vitas lesser intelligence began to frustrate Virginia. In September, Vita began an affair with her neighbor, Mary Campbell. The closeness between Vita and Virginia diminished but they remained friends until Virginias suicide in 1941. Vita participated in the writing of Orlando by posing for photos and providing images of portraits from Knole to be included in the book. The estate in Orlando was modeled after her ancestral estate just as the character was after Vita. It was Virginias way of giving to Vita her most beloved and mourned home of the heart, Knole. Further Reading: Vita: The Life of V. Sackville-West, by Victoria Glendinning, Knopf, 1983. Francesca Susannah is a writer interested in lesbians through history. She lives in Burlington. |